Philip-Lorca diCorcia Philip-Lorca diCorcia is an American photographer who was born in 1951 in Hartford, Connecticut. DiCorcia’s childhood was tumultuous with a mentally unstable mother. At 17, he was kicked out of school and soon after developed an addiction to drugs. This led to an overdose after which he decided to enroll in art school in Boston. He graduated from the School of Museum of Fine Arts in Boston in 1975 and then received his Master of Fine Arts from Yale university in 1979. During his time at school, he developed his photographic style by first deciding the kind of photographer he did not want be. Dicorcia wanted to push against the notion that photography was meant to capture a ‘specific moment of time from a specific point of view.’ Garry Winogrand, Lee Friedlander, and Tod Papageorge were among some those mid twentieth century artist that held on to this notion. They would quickly shoot many exposures in ord
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Didier Massard Didier Massard was born in Paris in 1953. Massard had attend the University of Paris where he received his degree in art and archeology in 1975. He began his career as a still photographer for cosmetic and fashion labels. Some of these labels included big names like Chanel, Hermes and Cartier. He continued his commercial career for twenty-five years until the unveiling of his series, “Imaginary Journeys,” which took ten years to complete. This was the start of his artistic career. No longer working in the commercial world, Massard realizes imaginary scenes and then fabricates these images in his studio. More closely resembling a painting or digital art, his photographs consists of carefully constructed dioramas and purposeful lighting techniques. The sets are constructed to be sense through the lens of a camera. Each of these photos can take months to create. On an average Massard only completes about two to three images a year. Within
James Brunt James Brunt is a York-shire based artist that creates his work from raw material found outside. Anything from sticks, stones and leaves, he uses to create patterned/ geometric designs in nature. His outdoor installations effectively use ‘nature as a canvas’. His work is reminiscent of the of earthworks or land art which was prominent art movement in the 1960’s and 70’s. Brunt’s work can be found in a wide variety of places. Any where from beaches, parks, school yards to forests, he will use the material found on site. These installations are always impermanent. He finds inspiration in using these everyday natural objects. Changing the ordinary material into something to be valued, noticed, and celebrated. James Brunt then juxtaposes this impermanent and ephemeral side of his work with the use of photography. Immortalizing what was once temporary. He describes his photographs as a “dramatic po